Cameron Stalheim creates mixed-media sculptures that indulge the stuff of nightmares. His most recent work, and then I saw Colby on the Street and my fantasy died, is a striking depiction of a collapsed merman taking his last breaths. Several times longer than human height, the sculpture confronts us with an image of death: in this case, the death of our collective childhood fantasies (who didn’t want to live among the mermaids when they were young?). Read more on Hi-Fructose.
Vintage late-1960s Soviet visual effects depict the Soyuz 3 spacecraft maneuvering in space.
(Source: youtube.com, via humanoidhistory)
William Miller - Ruined Polaroids (2011)
"These pictures are taken with a camera that is, by most definitions, broken: an old Polaroid SX-70 camera. With its first use I realized the camera wasn’t functioning properly. It sometimes spills out 2 pictures at a time and the film often gets stuck in the gears, exposing and mangling them in unpredictable ways. The image as it is exposed within the camera becomes pulled and stressed by these violent mechanisms, often to abstraction. Each one is determined by the idiosyncrasies of the film and the camera.
This project, Ruined Polaroids, is an unintended exploration into the 3-dimensional physical character of an antiquated photographic medium that touches on subjects such as the nature of chance, destruction and what constitutes a photograph.”
- Artists’ Statement on Ruined Polaroids
“We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infinitesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality. We confuse the world as talked about, described, and measured with the world which actually is. We are sick with a fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas.”
(Source: illuminatizeitgeist, via nearlya)
SPACEWALK ‘69 — Astronaut Rusty Schweickart during a spacewalk on the fourth day of the Apollo 9 earth-orbital mission, March 6, 1969. (Stellar Views)